By Andrew Eastham
Aesthetic Afterlives constructs a far-reaching theoretical narrative by means of positioning Victorian Aestheticism because the foundation of Literary Modernity. Aestheticism’s cultivation of irony and reflexive detachment used to be relevant to this legacy, however it was once additionally the point of interest of its personal self-critique. Anxieties in regards to the inspiration and perform of irony continued via Modernism, and feature lately been located in Hollinghurst’s paintings as a symptom of the political stasis inside post-modern tradition. relating the new debates in regards to the ‘new aestheticism’ and the politics of aesthetics, Eastham asks how a utopian Aestheticism will be reconstructed from the problematics of irony and aesthetic autonomy that haunted writers from Pater to Adorno.
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